![]() Up next is “The Kuleshov Effect Explained (and How Spielberg Subverts it. We only touched on the Kuleshov Effect as part of Soviet Montage Theory, but in this next article we break it down in further detail with modern examples, including the work of Steven Spielberg. Soviet filmmaker Sergei Eisenstein, who was once a student of Lev Kuleshov, is credited with outlining Soviet Montage Theory through the five steps we’ve just gone over.īoth Eisenstein and Kuleshov used the five steps of Soviet Montage Theory through their careers, which helped them to become some of the most influential technical filmmakers of all-time. Sergei Eisenstein Montage Film The Five Steps Exaggerates the emotional response through supporting and contrasting images.Let’s look at the essential aspects inherent in a montage: This scene is one of the best examples of the influence of Soviet Montage Theory on international cinema. Types of Montage Film Intellectual MontageThe idea behind Kuleshov’s short film was to combine a single, center-framed shot of the popular actor Ivan Mosjoukine with three other distinct shots: The first is a bowl of soup, the second is a girl in a coffin, and the third is a woman lying on a couch. During his professorship, Kuleshov released a short film that would go on to become the foundation of Soviet Montage Theory. ![]() Kuleshov, along with his students, explored the process of film editing rigorously. Upon the establishment of the Russian Soviet Federative Socialist Republic (RSFSR) on Novem(although the Union of Soviet Socialist Republics did not officially come into existence until December 30, 1922), what had formerly been the Russian Empire began quickly to come under the domination of a Soviet reorganization of all its instit. Consequently, at this time it was incredibly difficult to find film stock in Russia, so instead, the people were left to study film rather than create it. What followed was a period of radical change, both socially and economically. ![]() In 1923, Vladimir Lenin and the Bolsheviks usurped control of the Russian government. One of the foremost professors at the School was Lev Kuleshov, who had begun experimenting with new ways of editing film by 1920. Soviet montage theory, as it was later coined, was an extremely influential method of filmmaking that relied heavily upon the juxtaposition of images to. The Moscow Film School or VGIK was founded in 1919 during the midst of the Russian Revolution. Soviet Montage Theory is a film movement that took place in Soviet Russia during 1910s, 11920s and into 1930s. The word ‘montage’ is rooted in the French language as a term to describe the connection of individual pieces, whether they be film, music or images, into a cohesive whole.īut to understand why montages became a major component of Soviet cinema, we have to first look at how the industry got to that point.
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